As has
been labeled characteristic of Middle Eastern writing, Naguib Mahfouz, in his
autobiographical writings entitled Echoes
of an Autobiography, writes in short and pithy riddles, proverbs, and
stories. Though Mahfouz writes here in prose, the style and overall effect of
the writing reminded me of fourteenth-century Persian mystic and poet Hafiz.
Especially
in the second half of Mahfouz’s book, he gives the sayings and aphorisms of
Sheikh Abd-Rabbih al-Ta’ih (106). It is especially evident here the
inextricable melding of spirituality, happiness, sorrow, daily life, and death.
For Sheikh Abd-Rabbih al-Ta’ih, for Hafiz, and perhaps for Mahfouz as well, god
and love inhabit the spaces, the emptinesses between joy and sadness, purpose
and idleness, life and death, this world and the next. Mahfouz cites Sheikh
Abd-Rabbih al-Ta’ih: “Some people are preoccupied with life and others are
preoccupied with death. As for me, my position is firmly fixed in the middle
way” (109). And here he speaks of the compensations of love: “The breeze of
love blows for an hour and makes amends for the ill winds of the whole of a
lifetime” (111). The mystic Hafiz attests to this powerfully merciful and
redeeming love in his “The Sun Never Says”:
Even
After
All this time
The sun never says to the earth,
“You owe
Me.”
Look
What happens
With a love like that,
It lights the
Whole
Sky.
These writers’ theologies leave room for loving this world, “for it
hardly has a hand in what occurs in it,” and its people and the beautiful
things within it (108). Even when there is “forgetfulness” and even “nonexistence,”
there may be enjoyment in music, in “listening to tawashih” (9). It is divine love and love that may fill humans as
well that redeems and gives beauty to this life for Mahfouz’s Sheikh Abd-Rabbih
al-Ta’ih and Hafiz.
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