Orhan Pamuk’s novel The White Castle
sets up a direct confrontation of east and west in the form of Hoja, a
Turkish scholar, and his newly acquired slave from Venice. But just as the two
men are set up for a juxtaposition--an examination of eastern culture and
learning versus western culture and learning--their differences are erased. The
sovereign could have predicted this; he asks: “[M]ust one be a sultan to
understand that men, in the four corners and seven climes of the world, all
resembled one another?” (151). But Hoja discovers this truth over time and
after much testing. On the military campaign in the Christian territories of
Poland, he embarks on an inquisition of Christian villagers, asking for their “greatest
transgression” (132). He would like to find the difference between “us” and “them”
(119). Instead, he finds that Muslims “[make] more or less the same confessions
and [tell] the same stories as their Christian neighbors” (135). He wondered if
anything would change if Istanbul was taken over by his slave’s western empire:
“[D]id defeat mean that people would change and alter their beliefs without
noticing it?” (109). And Hoja’s slave doubts that it “would make [any]
difference whether I became a Muslim or not” (41). Even the elevated matter of
religion cannot serve to distinguish and separate people. The characteristics
that define an eastern person from a western person--dress, education,
language, religion--are dismissed as subject to chance. These coincidental
attributes shrink in comparison to uniting forces of shared human experience.
I have found that this is mostly
true--at least at the elemental level. I have had the privilege of sharing
feelings of sadness, apprehension, and joy with people from countries far from
this one. Even while I may be differentiated from a Maasai woman of Tanzania by
continent, economic system, class, race, and religion, we hold hands and laugh
at the dancing men.
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